- Anthony Burgess on A Clockwork Orange (anthonyburgess.org)
A Clockwork Orange (1962) is Anthony Burgess’s most famous novel. Its themes of free will and individual responsibility are still urgent today, and its uncompromising violence and dark humour remain powerful. He returned to it in print and on air throughout his life, especially after Stanley Kubrick’s controversial 1971 film adaptation. Here are recordings of Burgess reading the opening sequence of the novel, in the Manchester accent of his youth; part of an unbroadcast, candid interview about its themes and concerns for the Italian media; a well-lubricated after-dinner speech accepting a prize for his work from the Writer’s Guild of America; and the overture and opening number of Burgess’s own 1986 adaptation of his novel as a stage musical, performed in 2017 by the BBC Philharmonic Orchestra.
- Anthony Burgess, “A Clockwork Orange”
Anthony Burgess reads from his cult classic, “A Clockwork Orange.” This novel consists of a series of episodes in the life of Alex, a young tough who lives in a nightmare future of violence and sadism. Burgess created a special language he calls “Nadsat,” a kind of anglo-russian fusion. Words like “stary,” Russian for “old” and “horrorshow,” from the Russian “khoroscho,” meaning “good” pepper the descriptions Alex gives of his antisocial activities.
- How Kubrick Uses the Camera (YouTube)
Kubrick is one of the most influential directors of the 20th Century, his career spanning almost five decades. He is perhaps best known for his bordering on insane attention to detail when it came to what’s in the frame, requiring take after take until the shot was perfect. This video looks at a handful of his most interesting shots, and breaking them down, examining how they elevate the themes of their films, and the visual techniques that are on display.
- Anthony Burgess on A Clockwork Orange (anthonyburgess.org)
A Clockwork Orange (1962) is Anthony Burgess’s most famous novel. Its themes of free will and individual responsibility are still urgent today, and its uncompromising violence and dark humour remain powerful. He returned to it in print and on air throughout his life, especially after Stanley Kubrick’s controversial 1971 film adaptation. Here are recordings of Burgess reading the opening sequence of the novel, in the Manchester accent of his youth; part of an unbroadcast, candid interview about its themes and concerns for the Italian media; a well-lubricated after-dinner speech accepting a prize for his work from the Writer’s Guild of America; and the overture and opening number of Burgess’s own 1986 adaptation of his novel as a stage musical, performed in 2017 by the BBC Philharmonic Orchestra.
