- Brazil (film) (allthetropes.org)
A 1985 film directed by Terry Gilliam, depicting one man’s futile struggle against a futuristic (and heavily decayed) governmental bureaucracy, drawing very heavily on George Orwell’s 1984. Stakes a serious claim towards being the most definite and ghastly example of Executive Meddling in the entire history of cinema. If you’re not watching the director’s cut, you’re not watching the real thing.
Don’t fight it, son. Confess quickly! If you hold out too long you could jeopardize your credit rating.
Guard, Brazil (1985)
- Infinity (plato.standford.edu)
Infinity is a big topic. Most people have some conception of things that have no bound, no boundary, no limit, no end. The rigorous study of infinity began in mathematics and philosophy, but the engagement with infinity traverses the history of cosmology, astronomy, physics, and theology. In the natural and social sciences, the infinite sometimes appears as a consequence of our theories themselves (Barrow 2006, Luminet and Lachièze-Rey 2005) or in the modelling of the relevant phenomena (Fletcher et al. 2019). Mathematics itself has appealed to some form of infinity from its beginning (infinitely many numbers, shapes, iterated addition or division of segments) and its contemporary practice requires infinitary foundations. Any field that employs mathematics at least flirts with infinity indirectly, and in many cases courts it directly.
- Brazil (1985 film) (Wikipedia)
Brazil is a 1985 science-fiction dystopian black comedy film directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm.