- The 12-bit rainbow palette (iamkate.com)
I designed the 12-bit rainbow palette for use on National Grid: Live. It consists of twelve colours chosen with consideration for how we perceive luminance, chroma, and hue
- Colour in the Middle Ages (medievalists.net)
Every society harbours unique and intriguing perspectives on colours—what they symbolize, which ones are deemed more aesthetically pleasing, and which should be avoided. French historian Michel Pastoureau has unearthed fascinating insights into the medieval period’s relationship with colour. Here are seven vivid facts about colour in the Middle Ages based on his research.
- Genesis 1:5 (Wikipedia)
Genesis 1:5 is the fifth verse in the first chapter of the Book of Genesis, part of the Genesis creation narrative. In this verse, God names the newly created day and night. Interpretation of this passage hinges on the interpretation of Genesis 1:4. “Evening and morning” bring the narrative of the first day of Creation to a close, and there are also multiple interpretations of this phrase.
- when the director happens to be an expert in colour theory (YouTube)
Join me as we explore how director Damien Chazelle made use of colours in La La Land. Instead of using the standard emotional connotations for certain colours, Chazelle gives each colour its own thematic resonance and narrative weight, adding an extra layer to the visual storytelling. He uses inspirations ranging from German Expressionism to classical Hollywood to create a film that is not only colourful, but uses these colours for specific purposes.