- The 12-bit rainbow palette (iamkate.com)
I designed the 12-bit rainbow palette for use on National Grid: Live. It consists of twelve colours chosen with consideration for how we perceive luminance, chroma, and hue
- Colour in the Middle Ages (medievalists.net)
Every society harbours unique and intriguing perspectives on colours—what they symbolize, which ones are deemed more aesthetically pleasing, and which should be avoided. French historian Michel Pastoureau has unearthed fascinating insights into the medieval period’s relationship with colour. Here are seven vivid facts about colour in the Middle Ages based on his research.
- Cornbread (graffiti artist) (Wikipedia)
Darryl McCray (born 1953), better known by his tagging name Cornbread, is an American graffiti writer from Philadelphia. He is widely considered the world’s first modern graffiti artist. McCray was raised in Brewerytown, a neighborhood of North Philadelphia. During the late 1960s, he and a group of friends started doing graffiti in Philadelphia, by writing their monikers on walls across the city. Independently to Philadelphia, the graffiti movement was evolving in New York City and blossomed into the modern graffiti movement, which reached its peak in the U.S. in the late 1970s and early 1980s, and then spread to Europe. McCray later worked with the Philadelphia’s Anti-Graffiti Network and Mural Arts Program to help combat the spread of graffiti in the city. He is currently a public speaker and a youth advocate.
- when the director happens to be an expert in colour theory (YouTube)
Join me as we explore how director Damien Chazelle made use of colours in La La Land. Instead of using the standard emotional connotations for certain colours, Chazelle gives each colour its own thematic resonance and narrative weight, adding an extra layer to the visual storytelling. He uses inspirations ranging from German Expressionism to classical Hollywood to create a film that is not only colourful, but uses these colours for specific purposes.