- Bardo (Wikipedia)
In some schools of Buddhism, bardo (Classical Tibetan: བར་དོ་ Wylie: bar do) or antarābhava (Sanskrit, Chinese and Japanese: 中有, romanized in Chinese as zhōng yǒu and in Japanese as chū’u) is an intermediate, transitional, or liminal state between death and rebirth. The concept arose soon after Gautama Buddha’s death, with a number of earlier Buddhist schools accepting the existence of such an intermediate state, while other schools rejected it. The concept of antarābhava, an intervening state between death and rebirth, was brought into Buddhism from the Vedic-Upanishadic (later Hindu) philosophical tradition. Later Buddhism expanded the bardo concept to six or more states of consciousness covering every stage of life and death. In Tibetan Buddhism, bardo is the central theme of the Bardo Thodol (literally Liberation Through Hearing During the Intermediate State), the Tibetan Book of the Dead, a text intended to both guide the recently deceased person through the death bardo to gain a better rebirth and also to help their loved ones with the grieving process.
- Exploring Elizabeth Siddal (lizziesiddal.com)
Elizabeth Siddal began her career as a model for members of the Pre-Raphaelite Brotherhood, an artistic group that secretly formed in 1848. The fact that she was determined to become an artist herself is testament to her bold spirit and determination. For twenty years I have studied her, read about her, and endeavored to excavate successive layers of concrete knowledge to discover who she truly was.
- Elizabeth Siddal (Wikipedia)
Elizabeth Eleanor Siddall (25 July 1829 – 11 February 1862), better known as Elizabeth Siddal (a spelling she adopted in 1853), was an English artist, art model, and poet. Siddal was perhaps the most significant of the female models who posed for the Pre-Raphaelite Brotherhood. Their ideas of female beauty were fundamentally influenced and personified by her. Walter Deverell and William Holman Hunt painted Siddal, and she was the model for John Everett Millais’s famous painting Ophelia (1852). Early in her relationship with Dante Gabriel Rossetti, Siddal became his muse and exclusive model, and he portrayed her in almost all his early artwork depicting women.
