Everywhere at the End of Time (Wikipedia)

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Everywhere at the End of Time is the eleventh and final recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer’s disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Kraków and released over six-month periods to “give a sense of time passing”, with abstract album covers by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage.

John Cage (Wikipedia) John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage’s romantic partner for most of their lives.

The Caretaker (musician) (Wikipedia) The Caretaker was a long-running project by English ambient musician Leyland James Kirby (born 9 May 1974). His work as the Caretaker is characterized as exploring memory and its gradual deterioration, nostalgia, and melancholia. The project was inspired by the haunted ballroom scene in the 1980 film The Shining. His first several releases comprised treated and manipulated samples of 1930s ballroom pop recordings. Most of his album covers were painted by one of his friends, Ivan Seal.