- “Frank Sinatra Has a Cold” is a profile of Frank Sinatra written by Gay Talese for the April 1966 issue of Esquire. The article is one of the most famous pieces of magazine journalism ever written and is often considered not only the greatest profile of Frank Sinatra but one of the greatest celebrity profiles ever written. The profile is one of the seminal works of New Journalism and is still widely read, discussed and studied. In the 70th anniversary issue of Esquire in October 2003, the editors declared the piece the “Best Story Esquire Ever Published”. Vanity Fair called it “the greatest literary-nonfiction story of the 20th century”. The illustrations that accompanied the original article were made by Edward Sorel, who also did the artwork for the Esquire issue’s front cover.
- Harlan Ellison (Wikipedia)
Harlan Jay Ellison (May 27, 1934 – June 28, 2018) was an American writer, known for his prolific and influential work in New Wave speculative fiction and for his outspoken, combative personality. His published works include more than 1,700 short stories, novellas, screenplays, comic book scripts, teleplays, essays, and a wide range of criticism covering literature, film, television, and print media. Some of his best-known works include the 1967 Star Trek episode “The City on the Edge of Forever”, considered by some to be the single greatest episode of the Star Trek franchise (he subsequently wrote a book about the experience that includes his original teleplay), his A Boy and His Dog cycle (which was made into a film), and his short stories “I Have No Mouth, and I Must Scream” and “‘Repent, Harlequin!’ Said the Ticktockman”. He was also editor and anthologist for Dangerous Visions (1967) and Again, Dangerous Visions (1972). Ellison won numerous awards, including multiple Hugos, Nebulas, and Edgars.
- Harlan Ellison (Wikipedia)
Harlan Jay Ellison (May 27, 1934 – June 28, 2018) was an American writer, known for his prolific and influential work in New Wave speculative fiction and for his outspoken, combative personality. His published works include more than 1,700 short stories, novellas, screenplays, comic book scripts, teleplays, essays, and a wide range of criticism covering literature, film, television, and print media. Some of his best-known works include the 1967 Star Trek episode “The City on the Edge of Forever”, considered by some to be the single greatest episode of the Star Trek franchise (he subsequently wrote a book about the experience that includes his original teleplay), his A Boy and His Dog cycle (which was made into a film), and his short stories “I Have No Mouth, and I Must Scream” and “‘Repent, Harlequin!’ Said the Ticktockman”. He was also editor and anthologist for Dangerous Visions (1967) and Again, Dangerous Visions (1972). Ellison won numerous awards, including multiple Hugos, Nebulas, and Edgars.
- Frank Sinatra (Wikipedia)
Francis Albert Sinatra (/sɪˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer and actor. Nicknamed the “Chairman of the Board” and later called Ole ‘Blue Eyes, Sinatra was one of the most popular entertainers of the 1940s, 1950s, and 1960s. He is among the world’s best-selling music artists with an estimated 150 million record sales.
- Frank Sinatra Has a Cold (esquire.com)
In the winter of 1965, writer Gay Talese arrived in Los Angeles with an assignment from Esquire to profile Frank Sinatra. The legendary singer was approaching fifty, under the weather, out of sorts, and unwilling to be interviewed. So Talese remained in L.A., hoping Sinatra might recover and reconsider, and he began talking to many of the people around Sinatra—his friends, his associates, his family, his countless hangers-on—and observing the man himself wherever he could. The result, “Frank Sinatra Has a Cold,” ran in April 1966 and became one of the most celebrated magazine stories ever published, a pioneering example of what came to be called New Journalism—a work of rigorously faithful fact enlivened with the kind of vivid storytelling that had previously been reserved for fiction. The piece conjures a deeply rich portrait of one of the era’s most guarded figures and tells a larger story about entertainment, celebrity, and America itself.