Andrei Tarkovsky (Wikipedia)
Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский, IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj]; 4 April 1932 – 29 December 1986) was a Russian film director and screenwriter. Widely considered one of the greatest and most influential directors in cinema history, Tarkovsky’s films explore spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory.- Solaris (Russian: Солярис, tr. Solyaris) is a 1972 Soviet science fiction drama film based on Stanisław Lem’s 1961 novel of the same title. The film was co-written and directed by Andrei Tarkovsky, and stars Donatas Banionis and Natalya Bondarchuk. The electronic music score was performed by Eduard Artemyev and features a composition by J.S. Bach as its main theme. The plot centers on a space station orbiting the fictional planet Solaris, where a scientific mission has stalled because the skeleton crew of three scientists have fallen into emotional crises. Psychologist Kris Kelvin (Banionis) travels to the station to evaluate the situation, only to encounter the same mysterious phenomena as the others.
- Science fiction (Wikipedia)
Science fiction (sometimes shortened to sf or sci-fi) is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. Science fiction can trace its roots to ancient mythology. It is related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers.
- Drama (film and television) (Wikipedia)
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama’s otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
- Solaris (video game) (Wikipedia)
Solaris is a space combat video game for the Atari 2600 published in 1986 by Atari. The game involves a player seeking out the planet Solaris via their starship. To accomplish this, the player must navigate the galactic scanner to explore quadrants of a map. Doing so allows them to explore Federation planets to refuel their ship, and engage in combat with hostile aliens known as the Zylons.
- Ernst Zermelo (Wikipedia)
Ernst Friedrich Ferdinand Zermelo (/zɜːrˈmɛloʊ/, German: [tsɛɐ̯ˈmeːlo]; 27 July 1871 – 21 May 1953) was a German logician and mathematician, whose work has major implications for the foundations of mathematics. He is known for his role in developing Zermelo–Fraenkel axiomatic set theory and his proof of the well-ordering theorem. Furthermore, his 1929 work on ranking chess players is the first description of a model for pairwise comparison that continues to have a profound impact on various applied fields utilizing this method.
- Stalker (1979 film) (Wikipedia)
Stalker (Russian: Сталкер, IPA: [ˈstaɫkʲɪr]) is a 1979 Soviet science fiction film directed by Andrei Tarkovsky with a screenplay written by Arkady and Boris Strugatsky, loosely based on their 1972 novel Roadside Picnic. The film tells the story of an expedition led by a figure known as the “Stalker” (Alexander Kaidanovsky), who guides his two clients—a melancholic writer (Anatoly Solonitsyn) and a professor (Nikolai Grinko)—through a hazardous wasteland to a mysterious restricted site known simply as the “Zone”, where there supposedly exists a room which grants a person’s innermost desires. The film combines elements of science fiction and fantasy with dramatic philosophical, and psychological themes.