- Georg Wilhelm Friedrich Hegel (Wikipedia)
Georg Wilhelm Friedrich Hegel (/ˈheɪɡəl/; German: [ˈɡeːɔʁk ˈvɪlhɛlm ˈfʁiːdʁɪç ˈheːɡl̩]; 27 August 1770 – 14 November 1831) was a German philosopher and one of the most influential figures of German idealism and 19th-century philosophy. His influence extends across the entire range of contemporary philosophical topics, from metaphysical issues in epistemology and ontology, to political philosophy, the philosophy of history, philosophy of art, philosophy of religion, and the history of philosophy.
- The Phenomenology of Spirit (German: Phänomenologie des Geistes) is the most widely-discussed philosophical work of Georg Wilhelm Friedrich Hegel; its German title can be translated as either The Phenomenology of Spirit or The Phenomenology of Mind. Hegel described the work, published in 1807, as an “exposition of the coming to be of knowledge”. This is explicated through a necessary self-origination and dissolution of “the various shapes of spirit as stations on the way through which spirit becomes pure knowledge”.
- Lord–bondsman dialectic (Wikipedia)
The lord–bondsman dialectic (sometimes translated master–slave dialectic) is a famous passage in Georg Wilhelm Friedrich Hegel’s Phenomenology of Spirit. It is widely considered a key element in Hegel’s philosophical system, and it has heavily influenced many subsequent philosophers.
- Ralph Waldo Emerson (plato.standford.edu)
An American essayist, poet, and popular philosopher, Ralph Waldo Emerson (1803–82) began his career as a Unitarian minister in Boston, but achieved worldwide fame as a lecturer and the author of such essays as “Self-Reliance,” “History,” “The Over-Soul,” and “Fate.” Drawing on English and German Romanticism, Neoplatonism, Kantianism, and Hinduism, Emerson developed a metaphysics of process, an epistemology of moods, and an “existentialist” ethics of self-improvement. He influenced generations of Americans, from his friend Henry David Thoreau to John Dewey, and in Europe, Friedrich Nietzsche, who takes up such Emersonian themes as power, fate, the uses of poetry and history, and the critique of Christianity.