painting 1 (childhood) of
- The Hidden Fortress: Three Good Men and a Princess (criterion.com)
The Hidden Fortress was Akira Kurosawa’s first hit after 1954’s Seven Samurai, four years and four films earlier. It won even bigger at the box office and scooped up a handful of Japanese and international awards, proving that its director was not merely an art-house auteur but could fill theaters as well. The film’s popularity in Japan was instrumental in securing financial guarantees for Kurosawa’s own production company, which supported all his subsequent films up to 1970. The pacing and characters of The Hidden Fortress, its landscapes and epic feel, make it a great action film, and as Kurosawa’s first use of widescreen, it is one of his most stylish movies. With this film, the director’s artistry and humanist ideology spectacularly fused with the entertainment values of adventure films and comedies.
- The Voyage of Life (Wikipedia)
The Voyage of Life is a series of four paintings created by Thomas Cole in 1842, representing an allegory of the four stages of human life. The paintings, Childhood, Youth, Manhood, and Old Age, depict a voyager who travels in a boat on a river through the mid-19th-century American wilderness. In each painting the voyager rides the boat on the River of Life accompanied by a guardian angel. The landscape, each reflecting one of the four seasons of the year, plays a major role in conveying the story. With each installment the boat’s direction of travel is reversed from the previous picture. In childhood, the infant glides from a dark cave into a rich, green landscape. As a youth, the boy takes control of the boat and aims for a shining castle in the sky. In manhood, the adult relies on prayer and religious faith to sustain him through rough waters and a threatening landscape. Finally, the man becomes old and the angel guides him to heaven across the waters of eternity.
