If you don’t know the guy on the other side of the world, love him anyway because he’s just like you. He has the same dreams, the same hopes and fears. It’s one world, pal. We’re all neighbors.
Frank Sinatra, Playboy interview (1963)
- Fugue (Wikipedia)
In classical music, a fugue (/fjuːɡ/) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches), which recurs frequently throughout the course of the composition. It is not to be confused with a fuguing tune, which is a style of song popularized by and mostly limited to early American (i.e. shape note or “Sacred Harp”) music and West Gallery music. A fugue usually has three main sections: an exposition, a development, and a final entry that contains the return of the subject in the fugue’s tonic key. Fugues can also have episodes—parts of the fugue where new material is heard, based on the subject—a stretto, when the fugue’s subject “overlaps” itself in different voices, or a recapitulation. A popular compositional technique in the Baroque era, the fugue was fundamental in showing mastery of harmony and tonality as it presented counterpoint.
- Frank Sinatra (Wikipedia)
Francis Albert Sinatra (/sɪˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer and actor. Nicknamed the “Chairman of the Board” and later called Ole ‘Blue Eyes, Sinatra was one of the most popular entertainers of the 1940s, 1950s, and 1960s. He is among the world’s best-selling music artists with an estimated 150 million record sales.
