And should you hear any one in the public thoroughfare, or in the midst of the forum, blaspheming God; go up to him and rebuke him; and should it be necessary to inflict blows, spare not to do so. Smite him on the face; strike his mouth; sanctify thy hand with the blow…
John Chrysostom, Homilies on the Statues, Homily I
For Christians above all men are forbidden to correct the stumblings of sinners by force…it is necessary to make a man better not by force but by persuasion. We neither have authority granted us by law to restrain sinners, nor, if it were, should we know how to use it, since God gives the crown to those who are kept from evil, not by force, but by choice.
John Chrysostom, On the Priesthood, Book II
- Thirteen Ways of Looking at Art (salmagundi.skidmore.edu)
Art is useless, said Wilde. Art is for art’s sake—that is, for beauty’s sake. But why do we possess a sense of beauty to begin with? A question we will never answer. Perhaps it’s just a kind of superfluity of sexual attraction. Nature needs us to feel drawn to other human bodies, but evolution is imprecise. In order to go far enough, to make that feeling strong enough, it went too far. Others are powerfully lovely to us, but so, in a strangely different, strangely similar way, are flowers and sunsets. Art, in turn, this line of thought might go, is a response to natural beauty. Stunned by it, we seek to rival it, to reproduce it, to prolong it. Flowers fade, sunsets melt from moment to moment; the love of bodies brings us grief. Art abides. “When old age shall this generational waste, / Thou shalt remain.”
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