- The principle of set theory known as the Axiom of Choice has been hailed as “probably the most interesting and, in spite of its late appearance, the most discussed axiom of mathematics, second only to Euclid’s axiom of parallels which was introduced more than two thousand years ago” (Fraenkel, Bar-Hillel & Levy 1973, §II.4). The fulsomeness of this description might lead those unfamiliar with the axiom to expect it to be as startling as, say, the Principle of the Constancy of the Velocity of Light or the Heisenberg Uncertainty Principle. But in fact the Axiom of Choice as it is usually stated appears humdrum, even self-evident. For it amounts to nothing more than the claim that, given any collection of mutually disjoint nonempty sets, it is possible to assemble a new set—a transversal or choice set—containing exactly one element from each member of the given collection. Nevertheless, this seemingly innocuous principle has far-reaching mathematical consequences—many indispensable, some startling—and has come to figure prominently in discussions on the foundations of mathematics. It (or its equivalents) have been employed in countless mathematical papers, and a number of monographs have been exclusively devoted to it.
- The Marvel Symphonic Universe (YouTube)
Off the top of your head, could you sing the theme from Star Wars? How about James Bond? Or Harry Potter? But here’s the kicker: can you sing any theme from a Marvel film? Despite 13 films and 10 billion dollars at the box office, the Marvel Cinematic Universe lacks a distinctive musical identity or approach. So let’s try to answer the question: what is missing from Marvel music?
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