- A blast from the past: Disassembling DOS (softwarelitigationconsulting.com)
from Undocumented DOS: A Programmer’s Guide to Reserved MS-DOS Functions and Data Structures (2nd edition, 1994. Copyright (c) Andrew Schulman 1994-2020. All rights reserved. [This nearly-ancient text (along with others from Undocumented DOS and Undocumented Windows) is being presented as a case study in some methodologies of software reverse engineering, applied to mass-market software. Note that this chapter appeared in the 2nd edition of the book, not in the 1st edition.]
- Solaris (rogerebert.com)
The films of Russian director Andrei Tarkovsky are more like environments than entertainments. It’s often said they’re too long, but that’s missing the point: He uses length and depth to slow us down, to edge us out of the velocity of our lives, to enter a zone of reverie and meditation. When he allows a sequence to continue for what seems like an unreasonable length, we have a choice. We can be bored, or we can use the interlude as an opportunity to consolidate what has gone before, and process it in terms of our own reflections.
- Solaris (1972 film) (Wikipedia)
Solaris (Russian: Солярис, tr. Solyaris) is a 1972 Soviet psychological science fiction film based on Stanisław Lem’s 1961 novel of the same title. The film was co-written and directed by Andrei Tarkovsky, and stars Donatas Banionis and Natalya Bondarchuk. The electronic music score was performed by Eduard Artemyev and features a composition by J.S. Bach as its main theme. The plot centers on a space station orbiting the fictional planet Solaris, where a scientific mission has stalled because the skeleton crew of three scientists have fallen into emotional crises. Psychologist Kris Kelvin (Banionis) travels to the station to evaluate the situation, only to encounter the same mysterious phenomena as the others.