In the first painting, Childhood, all the important story elements of the series are introduced: the voyager, the angel, the river, and the expressive landscape. An infant is safely ensconced in a boat guided by an angel. The landscape is lush; everything is calm and basking in warm sunshine, reflecting the innocence and joy of childhood. The boat glides out of a dark, craggy cave which Cole himself described as “emblematic of our earthly origin, and the mysterious Past.” The river is smooth and narrow, symbolizing the sheltered experience of childhood. The figurehead on the prow holds an hourglass representing time.- Third in the series, Manhood, shows a now grown figure in the vessel, amid the tribulations of adult life. Storm clouds ominously darken the sky, wind whips at the man’s clothing and rain falls in the background as the boat approaches a treacherous part of the river which has become rocky and rapid, running through a treacherous gorge marked by a gnarled, leafless tree. Gentler country lies at the bottom of the defile and the distant sky line lightens in that direction hinting of the hope of better times ahead. Among the dangers the man has not lost his faith: he has let go of his boat’s tiller (which may have broken) and is part kneeling, gazing upward with hands clasped together. The vessel’s figurehead now holds the hourglass while far above, behind and unseen by the voyager, his guardian angel continues to watch over from the Heavens, shining brightly through a break in the clouds.
- The Voyage of Life (Wikipedia)
The Voyage of Life is a series of four paintings created by Thomas Cole in 1842, representing an allegory of the four stages of human life. The paintings, Childhood, Youth, Manhood, and Old Age, depict a voyager who travels in a boat on a river through the mid-19th-century American wilderness. In each painting the voyager rides the boat on the River of Life accompanied by a guardian angel. The landscape, each reflecting one of the four seasons of the year, plays a major role in conveying the story. With each installment the boat’s direction of travel is reversed from the previous picture. In childhood, the infant glides from a dark cave into a rich, green landscape. As a youth, the boy takes control of the boat and aims for a shining castle in the sky. In manhood, the adult relies on prayer and religious faith to sustain him through rough waters and a threatening landscape. Finally, the man becomes old and the angel guides him to heaven across the waters of eternity.