- Sinners in the Hands of an Angry God. A Sermon Preached at Enfield, July 8th, 1741. (digitalcommons.unl.edu)
The God that holds you over the Pit of Hell, much as one holds a Spider, or some loathsome Insect, over the Fire, abhors you, and is dreadfully provoked; his Wrath towards you burns like Fire; he looks upon you as worthy of nothing else, but to be cast into the Fire; he is of purer Eyes than to bear to have you in his Sight; you are ten thousand Times so abominable in his Eyes as the most hateful venomous Serpent is in ours. You have offended him infinitely more than ever a stubborn Rebel did his Prince: and yet ‘tis nothing but his Hand that holds you from falling into the Fire every Moment: ‘Tis to be ascribed to nothing else, that you did not go to Hell the last Night; that you was suffer’d to awake again in this World, after you closed your Eyes to sleep: and there is no other Reason to be given why you have not dropped into Hell since you arose in the Morning, but that God’s Hand has held you up: There is no other reason to be given why you han’t gone to Hell since you have sat here in the House of God, provoking his pure Eyes by your sinful wicked Manner of attending his solemn Worship: Yea, there is nothing else that is to be given as a Reason why you don’t this very Moment drop down into Hell.
Given Iraq’s strategic location, its large oil reserves, and the suffering of the Iraqi people, we cannot afford to replace a despot with chaos. It would be a tragedy if we removed a tyrant in Iraq only to leave chaos in its wake.
Joe Biden, Promises to Keep (2008)
- Tragedy (Wikipedia)
Tragedy (from the Greek: τραγῳδία, tragōidia) is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a “pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—“the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity,” as Raymond Williams puts it.