- The films of Russian director Andrei Tarkovsky are more like environments than entertainments. It’s often said they’re too long, but that’s missing the point: He uses length and depth to slow us down, to edge us out of the velocity of our lives, to enter a zone of reverie and meditation. When he allows a sequence to continue for what seems like an unreasonable length, we have a choice. We can be bored, or we can use the interlude as an opportunity to consolidate what has gone before, and process it in terms of our own reflections.
- Colour in the Middle Ages (medievalists.net)
Every society harbours unique and intriguing perspectives on colours—what they symbolize, which ones are deemed more aesthetically pleasing, and which should be avoided. French historian Michel Pastoureau has unearthed fascinating insights into the medieval period’s relationship with colour. Here are seven vivid facts about colour in the Middle Ages based on his research.